It was an honor to be asked to write a poem for Bethel’s celebration of America’s 250th anniversary. America 250: From These Hills reflects on just a few of the people, places, and moments that have helped shape our town over the years. I hope it serves as a small tribute to the generations who came before us and those who will continue Bethel’s story for years to come.
America 250: From These Hills
there once were rough roads
through Stony Hill
and when fire claimed
a neighbor’s home
people raised up beams
built it back
1843
Maria Parloa was born
in Grassy Plain
she would teach
our young nation to cook
ideas from a small town
traveled far
1861
young men left these hills
for blood-soaked battlefields
far from home
some returned
some did not
the town carried on
with empty chairs
at silent supper tables
1865
P.T. Barnum came home
showman
dreamer
visionary
he never forgot
where his story began
1872
the gritty little Shepaug
steamed into Bethel
iron rails stitching
a village
to the rest of America
1895
new schools opened
built by a town
that saw beyond
the last brick laid
to lessons not yet taught
and futures not yet imagined
1910
more than four thousand people
assembled at Hoyt’s Hill
tables stretched across the summit
and for a day
Bethel became
one long table
1943
Marian Anderson came to Bethel
not to sing, but to marry
the voice that rose
above prejudice
found its way here
1954
a Bethel High School student
mailed a graduation invitation
Eleanor Roosevelt replied:
yes
2020
six feet apart
we leaned toward one another
masks hid our smiles
not our kindness
neighbors checked in
meals were shared
and hope
found its way home
2026
Since Bethel was incorporated
in 1855
these hills have witnessed
revolution
world wars
pandemics
depressions
recessions
and the ordinary heartbreaks
of daily life
still
we grow
we gather
we debate
we help neighbors
we welcome newcomers
we walk through cemeteries
of those before us
we return to answer
our children’s plea
the names change
our story continues
tomorrow
sets another place
at the table
© Hannah lipman
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